About the Franco-Moroccan photographer who died in the 2016 Ouagadougou terrorist attack. Her family is establishing a foundation in Morocco, to keep her legacy alive, and continue her work linking art with social action. By Hannah Kugel.
The Pavilion of Iraq at the Venice Biennale 2015 is on view at S.M.A.K. Ghent until 4 Sept. 2016. Introduction of curator Philippe Van Cauteren and photos of the exhibition in Venice.
Text by Gauthier Lesturgie and images of the project ongoing since 2007, about the objects looted from the National Museum of Iraq.
In the aftermath of the Nuclear Deal, the desire for self-determination of Iran's art scene could be overshadowed, again, by the renewed expectations of a Western culture industry hungry for easy definable identity-based movements. By Michel Dewilde.
Contemporary art from the Maghreb to the Middle East, from Central Asia to Southeast Asia. Since March 2003.
Ruya Foundation has announced Tamara Chalabi and Paolo Colombo as Co-curators of the National Pavilion of Iraq at the 57th Venice Biennale 2017.
The Lebanese Ministry of Culture has appointed Zad Moultaka to represent Lebanon at at the 57th Venice Biennale 2017. Curator: Emmanuel Daydé.
Culture Resource's grant for Arab artists to support travel, and touring their work. Deadline: 20 Oct. 2016.
The show at SALT, Istanbul, traced the origins of Turkey's current context via artworks, and elements of popular culture and social movements since the coup d'état in 1980. Photos of the exhibition and review. By Bora Gürdaş .
The exhibition responded to political and social outcomes of past and present events, as well as their connection with literature, music, and film.Darat al Funun, Amman, 2016.
Repositioning the Sursock Museum in Beirut's current challenging context after 8 years of closure. Interview with director Zeina Arida. By Laurence Cornet.